I “rent” the software for a period of time, make the music I want and unsubscribe when I don’t need it anymore. It just doesn’t make sense from financial point of view. I suppose if you are more into collecting plugins rather than making music it makes some kind of sense. I really don’t understand view that a subscription service is a bad option. Shame, as I think I’m probably your exact target audience (professional musician of a certain age with cash to spend, great familiarity with these classic synths, impressed with the software’s quality, long time Roland user…) Thanks Roland, sounds terrific but I won’t be renting. But $19 a month for access to a suite that I mainly won’t use, will lock me out if I do any work with the instruments but don’t keep up my subs, that’s set to rise in price and will almost certainly change or end very soon… In fact, I’d get out my credit card immediately. If you gave us the option to buy the entire suite, even at a price like $500, I’d be very tempted at this point (especially if you included an emulation of the JP8080). That’s simply not how I work, and there’s nothing here that would make me change my mind. But if I joined up and Roland Cloud ends, or if I don’t keep up my subscription I won’t be able to do this.īut THERE IS NO WAY I am going to subscribe to buy access to a musical instrument. Has worked perfectly for nearly two decades. I expect to be able to open up old music projects from years ago using VMs of my old computers (or old Macs kept in the loft!) to ensure compatibility. I simply don’t need access to your entire suite. Although I think your softsynths are superb, I have many others that I’m happy with.
SOLUTION: Let us buy individual instruments for a one-off paymentĢ. Subscription means I will be constantly assessing whether I should continue paying for access, a big disincentive to perservere with your software. I expect to learn and use an instrument over a long period of time. Thanks Roland, sounds terrific but I won’t be renting because:ġ.
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